Radio Ad Copywriting

Within this article on radio ad copywriting, we will look at what makes up a successful radio ad.  Copywriting is similar because you are always trying to sell a product but the way that you write and sell will be different depending upon the particular media vehicle that you choose to use.

Whenever you start to do radio ad copywriting, you must make sure to first do your research.  Research is one of the most important parts of the job and this is true no matter what type of copywriting you are doing.  If you do not do your initial research, you will not know how to present your message to your target audience.

When you are looking into doing radio ad copywriting, you should talk with the particular station that you are thinking about advertising with.  They should give you an idea of the typical demographics of their listening audience.  This will allow you to know which particular radio station you should work with in getting your message out. 

When you are looking at doing radio ad copywriting, you must make sure that you are much more direct with this particular form of advertising than you would if you were writing a sales letter.  You have a much shorter period of time in which to make an impression upon your prospects so you must be completely focused with your message.

One way to make sure that you are writing for a good radio ad copywriting is to listen to the ads that your competitors are running on particular radio stations.  Each radio station focuses on a particular and very narrow demographic so if you continue to hear the same ads over and over again, you will have a good clue that they are probably very successful.  Pattern your ideas in a similar vein to what you're hearing.

Here are a couple of quick hitters to help make your radio ad copywriting successful. You must make sure to not just list a bunch of facts but rather try to tell a story.  This will keep your audience interested.  If you are trying to sell a technical product, make sure to use technical jargon early on so that you can get your target niche within your demographic tuned in to what you have to say. Radio ad copywriting must also use testimonials if you can because of the credibility towards a product that you are selling. Hopefully these quick hitting tips can give you some idea of what to do when writing your radio ad copywriting.

Hopefully this article on radio ad copywriting has helped you out.  Copywriting is a large field and if you choose to write on radio ad copywriting, listen to radio stations to see what works.  You must continue to learn and be educated and this is a way to do it on your off time.  You must make sure that you are very correct in your writing because you only have a short amount of time to impress a particular product or service upon your target audience.

Should You Write a Long-Copy Ad or Keep it Short?

Okay, you’re ready to write the ad of a lifetime.  The one that will pull like crazy and leave them begging for your product like Somalians for food.  So, do you whet their appetite with a short and sweet ad?  Or write a long-copy ad that’s stuffed with information?  

The 80-20 rule says 80% of the people only read the headline (and maybe a caption, if you have one).  But the fact is, readers will read a long-copy ad.  One McGraw-Hill study looked at 3,597 ads in 26 business magazines. What they discovered was that ads with 300 or more words were more effective that shorter ads in creating product awareness, inducing action and reinforcing the decision to buy.  Another ad for Merrill Lynch crammed 6, 450 words into a single New York Times page.  It pulled over 10,000 responses— even without a coupon!  The truth is, the reason people read ads has nothing to do with copy length.

“Nobody reads long ads…” and other urban ad legends

People shun too many of today’s ads—long or short—because several misleading myths have stubbornly remained with us. Things like “negative headlines are a downer since people want to feel good when reading your ad.” Or “show the product or they’ll never know what you’re selling.”  Then there’s the stuffy axiom, “there’s no place for humor in business advertising. “ Or the ubiquitous saw,  “all your ads should look the same, blend in or be swallowed up.” The list goes on and on.  Presented with unabashed hubris by the high priests of advertising.  The basic fact is, ads really fail for three reasons.

Your ads are all about you

You’re telling customers what you want to hear, not what they want to know.  Impressive sounding features are fine to motivate your sales force, but your customer is only interested in one thing: “What’s in it for me?” This offense is particularly egregious in business-to-business advertising, which is infamous for its addiction to phrases like “the XP90 does it all” or “now with Duo-Pentium Processor”—without a hint of what these features do.  Also contaminating many of today’s ads are such chest-pounding headlines as “Taking the lead,” “The promise of tomorrow, today,” or “A tradition of quality.” They sound good but say nothing. 

Your ads are boring

You’ve got to break the boredom barrier—big time.  Many ad gurus say blend in, be one of the pack and survive.  No wonder so many ads look alike, proudly showing big pictures of their products, or worse yet, featuring a giant photo of the company’s CEO—usually with a caption that’s been scrubbed clean of originality or compelling information.  If you want people to stop and read your ad, you have to make the ad more interesting than the editorials in the publication you’re in.  Give them real news, a fresh new way to look at what you’re offering them.  Stand out from the crowd.   Start trends, don’t follow them.  One of the most interesting car ads I ever saw showed the car only sparingly; instead, it featured an animation of a human heart beating furiously to the soundtrack of an accelerating engine.  Breakthrough stuff. 

Your ads don’t make human contact

They’re not reaching readers on an emotional level.  We all want to be liked, appreciated and loved.  We want to feel secure in our lives and our jobs.  So be a mensch.  Create ads that touch the soul. Use an emotional appeal in your visual, headline and copy. Don’t just show a car on the road; show the guy captivating his sweetheart with the car.  If your buyers were on the moon, would they care about your car’s styling?  No.  They’d get an ugly, crawly vehicle that got them from crater to crater.  Selling computers to business? Show the guy getting a raise or promotion for selecting your latest model.  You’re selling the emotional end result, the human need-based bottom line, not a box, or vehicle with four wheels and an engine.

So if you’re struggling with the notion of whether to write a long- or short-copy ad, you can do both and still get results.  The key is not length or lack of it, but information, interest and involvement in your customer’s needs.  These are the ingredients to creating a successful ad.